One of my favorite places on earth: Frying Pan Creek in Mt. Rainier National Park…

Awhile back, a friend of mine suggested I do ’25 Things’ on Facebook, but I was a little reluctant to do that application on Facebook (too much like a chain letter), so I’m doing it my own way, here on my own site. So here are 25 things you may not have known about me:

1)  My favorite food: chocolate. My least favorite foods: Brussel sprouts (despite having lived in Brussels), olives (even though I love olive oil). My favorite cuisines: Chinese, Japanese, Thai, Indonesian, French, Italian.

2) My favorite color to wear: fire engine red. The color I will not wear: orange (unless I suddenly and unexpectedly become a school crossing guard).

3) Schools I’ve attended: South Clement Ave. School, Fritsche Jr. High School, Bay View High School, the University of Wisconsin-Madison, the London School of Economics & Political Science, the University of Illinois at Urbana-Champaign, the school of life.

4) My favorite composer to listen to: Mozart. My favorite operas: “Die Zauberflöte” and “Così Fan Tutte.” My favorite composers to play: Bach, Chopin, Debussy. My favorite composers to sing: Handel, Schubert, Schumann. My least favorite composers: Bruckner, Schoenberg, Shostakovich. My favorite sopranos: Bidu Sayao, Anneliese Rothenberger, Elisabeth Schwarzkopf, Victoria de los Angeles, Jessye Norman, Felicity Lott, Natalie Dessay, Yvonne Kenny, Karita Mattila. Favorite mezzo-sopranos: Conchita Supervia, Christa Ludwig, Marilyn Horne, Olga Borodina, Cecilia Bartoli, Elina Garanča, Joyce DiDonato. Favorite contraltos: Kathleen Ferrier, Marian Anderson. Favorite countertenors: David Daniels, Andreas Scholl. Favorite tenors: Enrico Caruso, Jussi Bjoerling, Tito Schipa, Juan Diego Flores. Favorite baritones: Dietrich Fischer-Dieskau, Bryn Terfel. Favorite basses: Feodor Chaliapin, Matti Talvela.

5) My favorite jazz singer: Ella Fitzgerald (esp. the Cole Porter & Gershwin songbooks). My favorite jazz standard: “Stardust” (Hoagy Carmichael). The only non-Western music that I’ve studied: Javanese gamelan. My favorite non-Western musical tradition: Balinese gamelan. My favorite Balinese gamelan musical genre: gamelan gong kebyar. My favorite Balinese gamelan dance genre: legong.

6) My favorite folk music: Celtic. My favorite folk songs: “Péarla an Bhrollaigh Bháin” (The Snowy Breasted Pearl), “Eamon An Chnuic” (Edmond of the Hill), “Snieu, Queeyl, Snieu” (Spin, Wheel, Spin – Manx spinning song) “Arrane Ny Vlieaun” (Manx milking song).

7) The songs I want sung at my memorial service: “Bist du bei mir” (Bach), “Litanei” (Schubert), “Beim Schlafengehen” (from the Vier Letze Lieder of Richard Strauss).

8) The work of literature (other than the King James Bible and the plays of Shakespeare) that I’ve read and re-read more often than any other : “The Lord of the Rings” (Tolkien).

9) My favorite poets: William Blake and John Keats (English), Joseph von Eichendorff (German), Charles Baudelaire and Paul Verlaine (French).

10) My biggest addiction: books (buying, reading, keeping, giving). My favorite bookstore: The Strand on Broadway & E. 12th St. in Manhattan.

11) The languages that I speak: only French, really (other than English, of course); but I used to speak German quite well and I’ve also studied Italian. I took a short course in (Mandarin) Chinese and can read Pinyin and Wade-Giles. I also took a semester of Swedish (Jag studerarde svenska). I’m also reading “Beowulf” in a dual Old English (Anglo-Saxon)/contemporary English language edition (translation by Seamus Heaney). The language I’d most like to be able to speak (and am most expected to speak) but can’t: Korean — but I am trying to learn hangul (the Korean alphabet). The language that would be most useful for me to learn: Spanish. The languages that I find the most intriguing: Old English, Norwegian, Icelandic, Malagasy. My favorite dictum about languages: “Il faut parler français à ses amis, italian à ses amants, allemand à son cheval et espagnol au Dieu” (Emperor Charles V).

12) My favorite queen: Elizabeth Tudor. My least favorite (control) queen: Mike Bloomberg. The members of the British royal family I’ve seen in person: Charles, Prince of Wales (just once, by chance), Elizabeth II (riding in the Irish state coach to the state opening of parliament), the Princess Alexandra.

13) My least favorite number: 13. The numbers I like to think are lucky: 7, 11, 77.

14) The countries I’d most like to visit but haven’t yet: Iceland, Norway. The most poorest and most unusual country I’ve visited: Romania. My favorite county in Romania: Maramures. The most intriguing country that I probably won’t get to: Madagascar. The most romantic city I’ve ever visited: Venice. The city I’d most like to visit but haven’t (yet): Vienna.

15) The countries I’ve lived in: Korea, US, UK, Belgium, France, Germany. The country I don’t remember living in: Korea (I left when I was eight months old). The most annoying question about a country I’ve lived (or never lived) in: “Are you from North or South Korea…?”

16) The cities I’ve lived in: Seoul, Milwaukee, Madison, London, Chicago, Champaign-Urbana, Berlin, Regensburg, Brussels, Paris, New York. The most exciting cities I’ve lived in: London, New York. The least exciting city I’ve lived in: Champaign-Urbana. The most romantic city I’ve lived in: Paris. The most medieval city I’ve lived in: Regensburg. The most livable city I’ve lived in: Madison.

17) The smallest domicile I’ve lived in: a bedsit in Knightsbridge (London) that was the size of a large walk-in closet. The most unusual domicile I’ve lived in: Der Goldener Turm (the Golden Tower), a 12-century medieval tower in Regensburg (I lived in the renovated part of the building that dates from 1527).

18) The best health habits I’ve gotten into: reducing my consumption of refined sugar and saturated fat, using raw blue agave nectar as a sugar substitute, eating mache (a French salad green sometimes known as ‘corn salad’ or ‘lamb’s lettuce’), abjuring bottled water in favor of double-filtered water (tap filter + pitcher filter), walking instead of driving, climbing stairs instead of taking the elevator. Favorite source of animal protein: eggs (non-hormonal and certified humane, from cage-free hens).

19) My favorite artists: Jan Van Eyck, Albrecht Dürer, Antoine Watteau, Henri Matisse, André Derain, Utagawa Hiroshige, Katsushika Hokusai. My favorite architects: Louis Le Vau, Andrea Palladio, John Nash, Frank Lloyd Wright, I.M. Pei.

20) The head of government I least admire whom I’ve seen in person: Margaret Thatcher, who I saw going into Westminster Abbey to attend the memorial service for Rab Butler while I was living in London. The president I most admire: Abraham Lincoln. The worst presidents in history: George W. Bush, Ronald Reagan. Worst vice-presidents in history: Dick Cheney, Dan Quayle. The presidents I found the most disappointing: Jimmy Carter, Bill Clinton. The president I feel most sorry for: William Henry Harrison. The only president I’ve seen in person: Richard von Weiszäcker, president of the Federal Republic of Germany (whom I saw on the day of German reunification, 2 October 1990).

21) The most significant moment in world history that I’ve participated in: the formal reunification of Germany in October 1990; I was in the crowd of 3 million people in the Tiergarten as the president and the chancellor rang in the new ‘deutsche Einheit’ (German unity).

22) My most significant achievement: leading the campaign for enactment of the New York City transgender rights law (Int. No. 24, enacted as Local Law 3 of 2002 in April 2002). The personal achievements that took the longest to accomplish: getting a Ph.D. (five and-a-half years); coming out as an openly transgendered woman (36 years).

23) The organizations that I’ve co-founded: Gay Asians & Pacific Islanders of Chicago (GAPIC) (1994), Queens Pride House (1997), Iban/Queer Koreans of New York (Iban/QKNY) (1997), the New York Association for Gender Rights Advocacy (NYAGRA), the Out People of Color Political Action Club (OutPOCPAC) (2001), the Guillermo Vasquez Independent Democratic Club of Queens (GVIDCQ) (2002). The organization I will not give money to: the Human Rights Campaign (HRC).

24) My favorite philosopher: Zhuangzi (The Seven Inner Chapters). My least favorite philosopher: Heidegger (a boring Nazi windbag). The denomination I grew up in: the Lutheran Church-Missouri Synod. The denomination I now belong to: Unitarian Universalism (my congregation is All Souls Unitarian Church in Manhattan). The religious habit I find most annoying: door-to-door proselytizing by Jehovah’s Witnesses. The religious prejudice I find most disturbing: Islamophobia. Religious figures I most admire: Mohandas K. Gandhi (the Mahatma), the Rev. Dr. Martin Luther King, Jr., the Rev. Forrest Church. Religious figures I least admire: Jerry Falwell, Pat Robertson, Jimmy Swaggart, the Ayatollah Ruhollah Khomeini, the Ayatollah Ali Khamenei, Muqtada al-Sadr.

25) The one thing I won’t be doing anytime soon: 25 Things on Facebook.

Renée Fleming in Rossini’s “Armida”

The Metropolitan Opera’s 2009-10 season is anything if not eclectic, representing a judicious mix of old warhorses and operatic rarities. The new season will feature eight new productions – four of which are being billed as “company premieres” – and 18 revivals.

Among the “tried and true” are new productions of two of the most popular operas in the repertoire: Bizet’s Carmen and Puccini’s Tosca. From the French repertoire, the Met will be offering new productions of Jacques Offenbach’s Les Contes d’Hoffmann (The Tales of Hoffmann) and Ambroise Thomas’s Hamlet, the latter based (somewhat loosely) on the Shakespeare play of that name.

But perhaps most interesting to veteran operagoers will be the four new productions of operas never before heard at the Met: Rossini’s Armida, Verdi’s Attila, Janáček’s From the House of the Dead, and Shostakovich’s The Nose – all of which deserve the appellation “rarity.”

One has the impression that Armida is being staged to showcase the Met’s reigning diva of the day, Renée Fleming; certainly, even among ardent Rossinians, there will be few who have seen this opera anywhere since its premiere in Naples in 1817. As for the rationale for staging Attila– one of the most obscure and rarely staged of any of the early Verdi operas – there has been little demand as far as I am aware – whether here in New York or elsewhere – for operatic depictions of the ruthless leader of the nomadic Huns. One could certainly imagine that the entertainment value of hearing Attila the Hun singing in Italian in 4/4 time could wear thin over a long evening in the theater.

But having commissioned Tan Dun to produce the bloated and pretentious bomb of an opera about the first emperor of China (imaginatively entitled The First Emperor) for the 2006-2007 season, the Met may wish to follow up by commissioning an opera about the life of Genghis Khan, Timur, or some other well-known bloodthirsty conqueror of yore.

Perhaps even more adventurous in subject matter than Attila is Shostakovich’s opera about a man “who wakes up to discover that his nose has disappeared.” But the most intriguing of all the new productions is that From the House of the Dead, which Janáček set in a Siberian prison camp. First staged in the Czech city of Brno in 1930, From the House of the Dead was Janáček’s last opera and considered by some to be his most extraordinary. Directed by Patrice Chéreau – best-known for his controversial 1976 Bayreuth production of Wagner’s Ring cycle – and co-produced with three European companies, this new production of Janáček’s final work for the stage was voted Europe’s best opera staging for 2007.

The new Met season commences with an opening night gala on September 21 with Karita Mattila singing the title role in Puccini’sTosca for the first time at the Met. Tosca is not a role one immediately associates with the Finnish soprano, but she is an exceptionally versatile singer and one of the best dramatic sopranos in opera today. The other special event of the season is the New Year’s Eve gala performance of Bizet’s Carmen, with Angela Gheorghiu – a Romanian soprano with a distinctly mixed track record – in the title role.

The new season is being described by the Met as “the first to be entirely planned under Peter Gelb’s leadership,” reflecting the still new-ish general manager’s attempt to put his own innovative stamp on a company with something of a reputation for staging stodgy productions of old warhorses studded with temperamental big-name stars. Certainly, one can have no doubt that long-time music director James Levine still exerts great influence over the choice of singers as well as productions; but with this new season, the Met is becoming Peter Gelb’s Met as much as it was at one time Sir Rudolph Bing’s Met.

Gelb’s audacious efforts to increase the audience for opera through the screening of filmed stage productions in movie theaters around the country and around the world is a calculated gamble that whatever revenue may be lost to the house will be more than offset by bringing new subscribers and especially younger people into the fold of an aging and predominantly white and middle-class opera-going public. It may not be too much of an exaggeration to say that the future of opera as a living art form may hinge at least in part on the success or failure of such efforts to expand the base for opera in general as well as for the Metropolitan Opera in particular.

For more information about the 2009-2010 season, go to:
http://www.metoperafamily.org

Rey Lucas as Hector, Jon Norman Schneider as Gil and Maureen Sebastian as Theresa in “Thunder Above, Deeps Below”

On Tuesday, I saw “Thunder Above, Deeps Below,” a new play by A. Rey Pamatmat (a gay Filipino American friend of mine), and it’s being staged by Second Generation, one of the leading Asian American theater companies in the country.

I’d recommend the play to anyone interested in drama with interesting characters (gay and transgendered people of color) and a strong dose of magical realism.

It’s on until Sept. 26, so go see it if you can~!

Jon Norman Schneider as Gil in “Thunder Above”